Showing posts with label FBi Social. Show all posts
Showing posts with label FBi Social. Show all posts

4.3.13

Can't Knock The Hustle - Friends Ago Show #2


FBi SOCIAL // 15 NOV
Iluka + Evil J and Saint Cecilia + Briscoe



The FBi Social show was just meant to be a nice warm up for the rest of the tour - that was before we booked a Brisbane show the night before. Instead it became a grueling test of our minds and bodies. It was part of FBi Radio's Supporter Drive so if nothing else it was for a very good cause. 

Side note: If you are not a supporter of this most excellent community radio station, sign up HERE. They are advancing the cause of the arts in a town that seems hell bent on stifling it. Full disclosure: I work at FBi, but I only work there because I love and believe in it.


In the morning, most of us had gone from the airport to work then to the venue for soundcheck, and we subbed in Luke Davison on the drums. On a macro level, the gig was really good but pretty uneventful, at the cellular level though it would have been bloody spectacular - no sleep, low blood sugar, synaptic activity 2% above what would be considered vegetative, yet somehow we managed to play something that resembled a great show. 

Side note [and contrary to how it might seem]: I effing love this tour slog stuff. It can feel really good to sustain injury for your music. Sometimes being in a band can feel like almost total bullshit - like 98% social media content aggregation, publicity, self-abasement and arselicking to get a gig and futile response chasing, and then 2% actual music. The pain most often comes in the form of a slow erosion of your resolve, a strangulation that works imperceptibly over the years until you quietly lose consciousness then wake up on your 40th birthday in an ice bath without your kidneys.

A rough tour is a short right to gut - it's the acute pain that gives immediate weight to the whole exploit of making and playing music. When most of a band's life is lived online in the documentation of minutia; in the quest for something viral and in confected tweet-sized press releases, doing something in the name of your music that you feel in your bones brings it all crashing back to reality. And work is good for you, it feels good to work hard at something and touring feels more legitimately like work than does posting goat remix vids to get your facebook algorithm humming.    

13.6.12

Tour pt 1 - FBi Social.

The Day Job tour was interesting. I think saying we were "on" tour might be a bit misleading. More like we were "beside" tour, dipping in at showtime then immediately out again and back to reality for another seven arduous days. It was a sadistic cosmic coincidence that everyone in the band happened to be going through their own personal upheavals during this time. Mostly the shows felt like breaks of barely discernible reception in some heavy static. In this way it was tough to get the sense of being on tour as opposed to playing some unrelated gigs here and there but the one thing I can say is that a lot of learning happened.

FBi SOCIAL // 4 MAY
Briscoe, Bloods, Mushu + Lily So & Co

Despite being under-prepared for it, the FBi Social show was a happy success. It was our first headline show so I had a promoter's sweat on for most of the night, but plenty of people came and all the bands nailed it.

Lily So has a big band but still manages to create plenty of space around her songs with great restraint and really thoughtful arrangements. They played a beautiful set.





It was the first time I had seen Bloods and they were a lot of fun - catchy as hell and rocking the house through a Peavey practice amp, this is cool.




And Mushu are just one of those bands that I take friends to see and without fail they'll ask "why haven't these guys made it yet?" It was maybe the best Mushu set I've ever seen, and I've seen them roughly billions of times.








This felt like our most important show and we were appropriately jittery and excited, in a "yes that's her hand on my crotch: game on" kind of way but we kept our cool and walked out of there with big smiles and our gig bags slung strategically over our groinal regions.



Big ups to Dan Nash on the sound desk and Kimb who books the room - what a couple of legends.

READ PART 2 HERE

Photos by Kate Farquharson - http://www.facebook.com/katefarquharsonphotographer